The Shroud of Turin is a linen cloth with the faded image of a man who appears to have suffered physical torture consistent with the Roman crucifixion. The Shroud is kept in the Cathedral of Saint John in Turin, Italy. It is believed to have enveloped the body of the historical Jesus of Nazareth and has become one of the most puzzling enigmas for researchers.

I have attempted to provide a scientific explanation for the causal mechanism of the Shroud image, in my subsequent book entitled “The Shroud of Turin: An imprint of the soul, apparition, or quantum biohologram.” I would like to share with readers the origin of the ideas contained in the book.

I barely remember a street magic show that I once enjoyed as a child. The artist conjured images of a scorpion on a screen lighting an oil lamp. The images were bodily and, lo and behold, three-dimensional! Although such street shows were common in those days, they were thought to be in the nature of some kind of trick. As a young man, the incident piqued my curiosity. Later, after a couple of decades, I came across a vernacular book on folk magic that illustrated a method for displaying scorpion images. He explained; a scorpion placed inside a coconut and buried in horse manure for forty days will produce a spirit which, if lit with a cotton wick, would produce images of scorpions as far as the light reaches. This caught my attention and my mind filled with possibilities. During my second year of graduation in Mechanical Engineering, I was introduced to the wonderful optical phenomenon of holography. Taking into account the “corporeality” and “three-dimensionality” of the objects displayed under holography, my mind, as fast as a flash, contemplated a viable holographic connection with the scorpion images displayed in folk magic.

Subsequently, the idea of ​​alchemical palinggenesis – resurrecting spectral images of plants and flowers from their ashes – further prompted my curiosity. I did an extensive study of almost all the available literature related to this strange and wonderful phenomenon. Given the nature of the 3D images as described in the processes, you could easily infer that it is a holographic field shape that creates a vortex of subtle ash particles, which in turn makes the exact pattern of the plant inside the jar visible. .

This being so, certain factors reinforced my belief that these ‘miraculous images’ would have scientific significance. First, how our bodies and other organic entities are formed has always been a puzzling question in developmental biology. Conventional genetic theory failed to satisfactorily explain how genes encode information about the morphology of the organism. The structural complexity of the genome is insufficient for the development of the organism. Ninety percent of the DNA in humans and mice is the same, and there are huge parallels between human DNA and that of a house fly. Also, the amount of DNA in some species of amoebae is approximately 30 times that of humans. If so, how can DNA alone explain the complicated structural formation in organisms? In addition to genetic means, there should be some mechanism to guide the physical constitution of organisms.

The second is the phenomenon of regeneration. If the whole head of a snail is cut off, a new head comes out of the body as complete in all its parts as the previous one. Why do many animals have the power to regenerate severed limbs? How is it that when a lizard’s tail is plucked, a new one sprouts in its place? Should there be, I wondered, some kind of pre-existing substrate, as in a model, to guide the atoms and molecules throughout the regeneration process, and each cell should be very aware of the blueprint – all within the parts (a substrate relationship -superstratum)!

Third, there are innumerable ideas and theories, both ancient and contemporary, that suggest that the morphological development of our body is more “related to structure” than “related to chemistry.” From the almost forgotten theory of preformation, to the latest discoveries of ‘Hox genes’ showing spatial collinearity, there has always been a ‘structure-based concept’ whenever an attempt is made to explain morphological development. A precise plane of the body is hypothesized to guide the process of bodily development.

These facts led me to believe that there are some subtle morphogenetic field patterns to guide the architectural development of organisms; and the three-dimensional images that we see in natural magic and palinggenesis are nothing more than a form of subtle patterns that somehow become visible to physical perception.

It was during the course of my scientific search for these wonderful phenomena of nature that I unexpectedly came across the mystery of the Shroud. I was able to observe and discover a great similarity between the phenomenon of 3D imaging in natural magic (also in the case of palinggenesis) and the 3D encoded image on the Shroud of Turin. I thought that the underlying science of these natural phenomena, if explored, would offer a working hypothesis to coordinate and explain the puzzling image of the Shroud of Turin. Another issue that reinforced my ideas is the nature of the ‘resurrection body’ of Jesus Christ. Whether the Resurrection body was materialistic with ‘flesh and blood’ or spiritual, it has been a long lasting difference of opinion in Christendom. Many hold that the body of Jesus was the spiritual body and, although the most real of all substantial things, it was a ‘appearance’ from the physical point of view. Therefore, the resurrection of Jesus Christ is closely linked to the phenomenon of palinggenesis: the spectral resurrection of plants.

Now, one might be tempted to wonder if these game-like phenomena, even if they are supposed to have a scientific basis, can solve the enduring mystery that shrouds the Shroud of Turin. I will not say that this would put an end to the mystery wrapped in the Shroud of Turin. A non-professional like me should not be too quick to draw conclusions on issues that are not yet clear to experts in the field. However, I am confident that my proposals will certainly give a good start in the right direction.

On the other hand, there is a fear in a corner of my heart that my proposals in this book could be easily dismissed in a short time by a group of people who claim to be the sole representatives of official science, and who would be pleased to consider what others call “unscientific”, or simply label it “pseudoscience”. However, the strength of my belief prompts me to think that science has a real surprise for skeptics.

As Einstein aptly put it, “the most beautiful and deepest emotion we can experience is the feeling of the mystical.” Natural magic is nothing more than an inexplicable scientific phenomenon. This, on the surface, may seem impossible and hallucinatory, but it must be viewed from a scientific perspective. The phenomenon of natural magic is a manifestation of science. In the words of Francis Bacon, “natural magic is the science that applies the knowledge of hidden forms to the production of marvelous operations; and by combining activities with liabilities, it shows wonderful works of nature. “

As for the mysterious image of the Shroud, it is a common proposition that no ancient artistic technique could have been able to print the three-dimensional encoded human figure on the Shroud of Turin with anatomical and circumstantial accuracy. Recent discoveries in quantum science are a powerful aid in elucidating remarkable facts on the subject. I theorize that the three-dimensional imaging of plants and animals in the magnificent phenomena of palinggenesis is also the work of quantum holographic processes, and that these evidential tests can help unravel the mystery shrouded in the Shroud.

The main objectives of this book are:

+ To provide a concise form of the history of the Shroud

+ Summarize some of the important characteristic features of the image of the Shroud that warrant scientific analysis.

+ Provide various evidences drawn in much of the alchemical genre and natural magic, in support of the formation of three-dimensional images from the biological matter of decomposed animals and plants.

+ Carry out a scientific analysis of the phenomenon of 3-D imaging in nature with respect to the latest findings in the quantum field.

+ And correlate it with the three-dimensionally coded image printed on the Shroud of Turin.

The chapters in this book can be grouped into four main parts. The first part gives a brief summary of the documented history of the Shroud of Turin, how the Shroud obtained its scientific appeal, the main tests carried out on it and the results thereof, and finally the astonishing characteristics of the image of the Shroud revealed to the world thanks to leading scientific studies and research.

The second part takes readers into an entirely different field of knowledge: the forgotten science of resurrecting spectral plants from their ashes (palinggenesis) and natural magic. They are full of astonishing ‘hard to find’ information related to the visual manifestation of 3D images of plants and animals from their decomposed phlegm.

The third part serves to explain how the various discoveries of science, especially those in the quantum realm, increasingly point to a “holographic field” where matter is guided by commonly invisible energy templates. It also offers to explain in a simple way what a hologram is, its optical characteristics, etc., according to classical science.

Finally, in the fourth part, an attempt has been made to make an adequate synthesis of the three, namely the image of the Shroud, the 3D images that are formed from decomposed parts of plants and animals, and the idea of ​​patterns of quantum holographic field. The theory is simple: the 3D spectral images that manifest from the decomposed phlegm of animals and plants are nothing more than their ‘quantum holograms’ and a similar quantum holographic manifestation of the physical body was responsible for the imprint of the mysterious image. on the Shroud of Turin. In Chapter 16 a detailed comparison is made between the characteristics of the Shroud of Turin and those of the holograms.

The time is near when we will begin our retrospective of one of the most wonderful theories of the past: the theory of palinggenesis and the investigation of one of the oldest mysteries of humanity: the image of the Shroud. The book is expected to be published in the first week of November 2010. Enjoy the book.